I also seemed to remember that after reinstalling I was prompted to activate and register, though those processes failed.
OK I called them and after 30 minutes was connected to somebody nice Indian accent who told me I was in the wrong department, even though I called the right number according to thier website. He verified my software but told me he'd have to transfer me to another department. Of course after about 30 minutes I was disconnected.
I called back and the number was constantly busy until they finally answered with a recording saying that there was a techincal problem and they couldn't help me.
I finally uninstalled and reinstalled the software and did the phone activation. That worked and I'm back up and running, though the registration failed. I got the same recording claiming technical difficulties. I guess that doesn't matter since Adobe obvioulsy knows I'm registered based on the fact that the Indian representative verified that. What a pain, but at least I can now do my work. Location: KC. I still use Audition 1. Mostly for burning vinyl. Been using it since "CoolEdit '96", and still do.
Version 1. Never touched Protools. Location: CA, U. I use it, more so for mixing rather than recording. Been using it since the CoolEdit days! Location: Maryland. I still do all the time. I still use CE2K too. OcdMan , Oct 11, Location: Waterford, Ireland. I still use it and don't intend to move to Pro Tools. I've got Adobe Audition v3. I sometimes revert to CEP v1. Cool Edit 96 on two diskettes, that's when it really took off but OldVersion. Emberglow , Oct 11, Location: Ohio. I use Audition 2.
I am not a pro though. My friend who I'm sort of partners with on audio projects has Reaper, Pro Tools and Izotope, as well as other packages. I use that with him, but here I don't do too much other than editing. Audition works just fine for that. It has fades that are simple to work with by simply dragging. Volume is also adjustable without going to the menus and effects. You can even access keyframes without having to click an extra button. Spectrogram is always visible simultaneously with waveform and keyboard customization is super useful.
All these little things add up, making Adobe Audition easy to learn, super intuitive, and fun to use. One of my favorite features in Adobe Audition and Premiere Pro is synchronization between the two programs. It makes my life so much easier not having to edit my audio in Premiere Pro when I am editing videos. Using Premiere Pro you have an option to edit audio in Adobe Audition. This opens selected audio tracks from Premiere Pro in Audition. Then any changes you make in Audition will apply to Premiere Pro audio tracks once you click save.
This feature alone is why I love Adobe Audition and it has saved me a ton of time and hassle; I absolutely love it. Adobe Audition as most Adobe programs is customizable. This is nice because you will be able to adjust the size of various sections in the software. For example, I like to see as much of an audio track as possible. Therefore, I customized my audio track area to be as large as possible and it helps me to see more of what I am working with.
Besides adjusting the size of certain sections in Audition you can also show or hide various sections. Overall, it helps you to set up the software the most optimal for your usage and needs. Adobe Audition is one of the more popular DAWs, and you will find lots of tutorials on Youtube on how to use it.
Why is that? Perhaps it comes down to that key word; musicality. Live, Bitwig and the others are each designed specifically with music production in mind. No better or worse, just different. First, the similarities.
Like any DAW or editing application, Audition offers both single and multi-track editing, using a familiar timeline layout. Audio files are imported — or dragged and dropped — into the timeline, either in isolation for editing, or into the multitrack area for arrangement. There are no skins, or fancy visual interpretations of your plugins. From a usability perspective, this is a clear choice designed to help you focus on the task at hand.
Honestly, we like it. Move to the multitrack area and you can begin to add colour for your individual audio files but again, this is a pragmatic decision to help you navigate large sessions, as opposed to aesthetic reasons. Connecting external equipment, like audio interfaces or mixers, is the same as it would be in any other DAW, and the actual act of recording itself is no different.
Where things do differ is in what is available to you when you have recorded a piece of audio. Honestly, this is where the playing field changes significantly. Double-clicking an audio file in the multitrack environment takes you to a separate window, containing only the waveform you have selected.
From here, you have absolute, precise, granular control over the audio. The trick perhaps most closely associated with Audition comes in its ability to fix, repair or clean audio files. Cleaning background noise like, for example, a low-level hum is so simple.
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